What the Actual Heck




It is generally realized that I have a natural aptitude for psychotropic substances of questionable origin. Particularly those that may or may not cause one to question his own mental stability. Or instability.

Knowing this about yourself is sort of comforting. Only not very.

My friend and I call them wondrous molecular compositions. Stuff that can make you lose the ability to can. Although the phenomena of "losing one's ability to can" can be sort of scary, it's why people say “I can’t even,” in the first place.

Jolly good, then.

I lie to myself by telling myself that this aptitude is due to a particularly cunning morphic resonance cascading down (or up) through the dimensional fields until the matter in my brain-meat is stimulated to the point of "Yeah, why not, let's see where this takes me."

This sort of thinking usually does not end well. At least that's what others would like me to think. But I regret nothing. Not yet.

I was not high up on a mountain this time. Not physically, in any case.
No.
All that happened happened quite suddenly and without warning. Which is how things usually happen anyway. Unless you're a turtle.

So there I was, minding my own business (slacking), when suddenly a wild molecule called DMT appeared.

The dosage I used would make the wise frown with disapproval, so it was good that none of them were strutting about. 
I inhaled and, for a while I felt very, "Myes, Quite, Indeed," until my mind went mad.

Okay, madder.

The universe sang to me. Literally. All right, not literally, but I did hear an odd hum of synchronous rhythm resonating at a pitch I had not encountered before. The odd thing about it though, is that it came accompanied by a distinct sense that, while the sound was indeed within Myself, it was also out there, in the void, as it were.

It was the void.

Not as a normal sound is, but so deeply embedded into intrinsic reality that it goes by unnoticed while the mind is looking and I had, by inhaling, managed to coax it out of its little hole. Although that hole is actually infinitely big. 

I stopped looking and it in turn looked at me.


I would have been scared if it wasn’t for the fact that I was not. Doesn’t make much sense, does it?

In these instances it is funny how one’s mind conjures up all sorts of stupid ideas about what is happening.

While the explanation that the sound I am hearing is nothing more than a change in my natural ear pressure and the resulting hum is fine and all, it is not as fantastic as the thought that I had heard the sound of creation. Or the sound of background radiation. Or the hum of a cosmic TV tuned to a dead channel and finding out it's not actually dead. Or the sound of space expanding. Or even the Great Om. For all I know all of these are actually one and the same thing. Anyway, it (the sound) kept pulling me towards something. Something both an infinite distance away and at the same time right here, now, everywhere.

Perhaps my lotus position made me see what I saw next, or at least put the idea of it in my head.

I saw Me.

And I was laughing at me.

Here is how it happened.

From the kaleidoscopic pattern of shifting, concave circles, a red-blue Me appeared sitting in the same position I was sitting, pulsing and looking at me since the beginning of all things and mind-casting that he will be sitting there until I get a grip and realize I don't have a grip. And even then I/Him/Me shall still be sitting there for some obscure reason. A reason that was probably not so terribly important. Or the most important. Probably both.

I resisted the sound’s pull because that's what dumb apes do. I resisted until all of a sudden there was no more point to it.

I stayed right there yet was somewhere else.

But that's not the weirdest part. After the universe had ceased its song, a new one appeared. I say appeared because sound seemed to enjoy being a visual menace. It didn't hurt, it was just that sound itself decided it will act all weird for a bit. Probably to freak me out. 

It worked.

Fortunately only for a second, because a shape which looked remarkably (and by remarkably a mean exactly) like Shiva, appeared before me. HeShe stood on one leg with the other bent as though sitting, and began to do this weird dance. It made me smile.
The above GIF looks exactly what the dude was doing.

His motions created all that was me and all that will ever be. And all of that was also me. And I thought to myself, "Hmm, that's rather odd, that. But in the best way possible."

The whole thing felt profoundly fantastic.

After it was over I was somewhat disappointed. Not because of the fact that I did it, but because despite all greatness, I couldn't help but feel that I have experienced profoundly more subtle feelings of bliss and wonder while in meditation – not high at all. At least not propelled to such height by any substance I had taken. I loved the experience even more because of this fact.

In its own way it showed me how we already have the best things inside us already, we simply need to learn how to access them. Work at them. Being able to do it only on occasion somehow adds an extra thrill to existence. It makes you strive. 

It adds a certain subtle element of danger. 


Short cuts to insights that most of us are looking for simply don't exist. At least not in a truly meaningful sense. You begin to rely on drugs to bring you to that place again, forgetting it is always there.
Because sadly, drugs will always lie to you. You are easy to lie to yourself. They can give you a false sense that answers lie out there. Somewhere. They hide this truth because they wrap it in their own self. They forge you into a lie that is searching for truth.


But answers are already here. Within. We fear to look because the lie can be more comforting. A comforting tale. But still only a tale.

[Review] Blood Song by Anthony Ryan



Mixed feelings. 

They happened when I heard this book put in the same boat as The Name of the Wind. They happened again when I actually read the damn thing. They happened hard. 

The problem with the boat analogy, however, is that in my opinion, The Name of the Wind scrubs the deck so that better books may walk it and tell the poor deck-scrubber to get out of the sodden way. 

This is not that "other book". But neither is it a bad book. 


I was swept away by the wind just as I was with Blood Song, and I will be checking out the sequel, Tower Lord. Yet there's just something missing...


What is missing, to be very honest, is imagination.

While the book tells a story well and puts forth character development over everything else, it is not unique or spectacular in any shape or form. Sorry, it's just not.
Just like when I began reading The Wind (and the slightly worse Wise Man's Fear), I was really hoping for something phenomenal in terms of what actually happens in the book. But contrary to popular thinking, seeing is not believing, seeing is where belief stops because there's no more need to it. When I read this book I stopped believing that "coming of age" stories are something I should put my fate it. Or even read at all.

The prose is so rudimentary it (at times) almost felt as though I was reading 50 Shades in fantasy form. Sometimes this is great, while here it just comes off as lacking. That feels like a pretty bad insult, but god dammit that's how it felt! Come on! Do at least one complex sentence. We're not bloody children that can't paint an image in their heads unless the sentence gets slightly less simplistic!

Still, the book is OK. I know the above paragraphs don't make it seem so, but it has its charms. Namely that it's a terrific timesink.


7/10

The Satori Generation



There exists a mistaken belief that a growing  human phenomena, the awareness of which is now blooming in Japan, is only centred in Japan. Japan may very well be its epicentre (but even that is doubtful), yet it has been happening since the birth of people from the middle 1980. In Japan they are referred to as satori sendai, The Satori Generation - kids that are now entering their twenties, or are in their twenties.



"They don’t want cars or brand name handbags or luxury boots. To many of them, travel beyond the known and local is expensive and potentially dangerous. They work part-time jobs—because that is what they’ve been offered—and live at home long after they graduate. They’re not getting married or having kids. They’re not even sure if they want to be in romantic relationships. Why? Too much hassle. Oh, and too expensive."

This seems to be the general description. One that is also quite mistaken, since it says nothing as to why this is the case and what other drive these kids truly possess, if any.


Instead of why they do not care about possessing cars or luxury, ask instead why they should? Why should anyone?

It has more to do with the fact that they care not about outer possessions due to either consciously or unconsciously realizing these bring only momentary satisfaction in a society where value comes from things that have none besides the value given by society.
Slowly and most predominately for those of the middle class (where such a thing still exists) any expense tends to bring for most a worry that, with the expense, the necessary survivalistic things that are actually needed for survival could, because of said expense, as a result not be bought in the very near future.

As such, a growing thought-pattern is emerging, suggesting a slow but collective realization of impermanence, a realization that such things can only ever bring momentary satisfaction. The generation in Japan is not referred to as satori, enlightened, for no reason.


When asked by elders of age 50+, "Don't you want a nice car when you get older?"

Their answer usually consist of, "Not really, no."
Or the simultaneously more and less expressive, "Meh."

At first sight such an individual may seem very resigned, without ideals or hopes. Critics of this generation say that it is a lazy generation, without willpower and drive. My favourite two-word description being: "decreased potency".

But a potency to achieve what, exactly? Self-reliance, certainly, but there's more to it today than 20 years ago. Today the failings of the system seem even more obvious to teenagers and young adults, because they are more immersed in its failings due to an increased global connectivity. So again, a potency to achieve what?

To aid a failing system by supplying more of those who are willing to assist in its failings?


For most a relatively mundane participation is all they can hope for at the moment. To go with how things are instead of how things could be... Most would seem resigned because of the futility in attempting to change any of their outer surroundings in a meaningful sense. This "lesser potency" may seem obvious to those not of this generation, because of the gap that has been occurring in the collective consciousness between the young and old. Because of this gap and the resulting change in belief system, it is difficult for older individuals to comprehend that the desire for things that were desirable for them no longer exist in the younger generation.


We were thought to be future orientated, yet what happens when that future is projected by the human mind, projected in the now, and one realizes that such a future is not something he or she wants or desires? Why work for such a future?


Relative excess and relative comfort have created this occurrence. It is the nature of humanity to want more, desire more - to expand in all aspects of consciousness. And that is actually not what is happening. We have become a material-expansive society. Where to can one expand when the subconscious feels all that it could ever want, has been given to it in a material sense? Food. Clothing. Kids that never had an excess of these but only a relative access predominated by necessity, tend to develop a mental pattern or conditioning where they no longer feel any need to have an excess. However this non-need manifests into a desperate need in another sense. Namely a more spiritual sense.


"You have all you ever need, yet you are still depressed?" It is not the unpossession that is the problem, it is the slow realization of the unimportance of possessing anything at all while everyone around you seems to be striving towards possessing more, always more.


When you have all you need and something is still lacking, when you can access more information you would ever need or be able to utilize via the internet, yet still feel a lacking of the most VITAL information, you begin to look elsewhere. Or are left with a feeling of lacking while not conscious enough to realize what it is that is lacking.


Outwardly, this state may even seem as depression, a lack of wanting in a world where you are bombarded by wanting people. It may indeed make some feel as though there is something vital which is missing within the generation, to not want what others say you should want, should have.

Perhaps that want, the desire to possess things, even shows up every once in a while, but does not last.

What is looked over is that this generation wants something very much different than what the previous generations wanted. This conflict between ideals results in mistaken interpretation of the state of these kids.


But what is it that they want, then?


The answer is simple, and as it usually is with these things, much too simple to be immediately apparent. They want Enlightenment. It is what they have always wanted, what we (humans) have always wanted, most not even realizing it. This wish for enlightenment often expresses itself in an intense desire for inner freedom. Freedom from one's Self in the sense that you are no longer barraged by what you consider to be outer influences and pressures. It is another reason why satori sendai are considered a low-risk populace. Low risk means low pressure. Often times this pressure comes from intrinsicaly knowing, realizing these are all in fact inner pressures and inner resistances to what is, and not knowing how to transcend, or transmute knowing it into living it.


In any regard, I do not think a generation of failed mystics is what we shall be seeing in the near future, but a paradigm shift more apparent than any we have seen since.

Psychonaut: The Nexus (SAMPLE CHAPTER)



CHAPTER 14


Dreams are ever a place where your fears find you.
A man can hide from many things. He can hide from other men and from the world. But fears are a part of him, they are him, and there is no hiding from oneself. But my dreams are like some great leveler. I suppose all men feel like this – that their dreams are something that can shatter them – I don’t know. All I know is this: dreams don’t care who you are or what you are. They care only about what you did, what you do, and what you intend to do. They use what you thought and what you think and know you better than you know yourself. They show you the true intentions behind your actions. And unlike men who want to see you hurt, dreams don’t spit in your face and leave you beaten in the dirt, gasping for air through broken lungs. Dreams speak to you through faces that you recognize but grow to hate for the foulness of their words. They know exactly what to say and say that which hurts most. They toss you into a pit and, in the darkness, show you why the darkness should be feared. Their ways are subtle.

But this day, my dreams are different. I dream of the sky. There is something out there, further even than the sky and immeasurably big. It floats towards the planet on currents of unknown technology. I blink and the scene shifts. I find myself upon a slab. I want to wake up. A pain like my spine being pulled apart shoots through me. I am bound. I am alone, but not myself. For I cannot be myself and be this afraid, can I? Can any man feel this much pain and still draw breath? The lower part of my body is gone. I observe them. I watch men in wide-brimmed hats that look more like heads that aren’t heads floating from the darkness and whispering secrets to me. My blood runs cold. Their breath is hot upon my ears as they tell me of the end. My end. Tell me how the one thing I love will fade and die. I see it happen and I scream. I scream and in this state of screaming, I awake.

They’ve heard me. How could they have not? Calyx has me by the shoulders, shaking me.
“Wake the fuck up, you bastard,” I hear her. Yet even her voice sounds weak and I tether on the edge of waking. I feel like I’ve been a part of something. As though my dream was not only a dream. I remember the words of the man, the ghost, “Dreams are never mere dreams.” I feel as if someone is collecting names, my names, all of them. From my true name to my dream-name to the name I’m known for and all the names I had been whispered in the dark. Lovers have given me names too, although there have not been many, and even fewer who didn’t try to kill me. My eyes adjust and I fully awake with a sense that,  should find my real name, my father-given name, they will have me – come for me.
“We have to go back to the man in the box,” I tell her.
“What man? What box?” Ty asks.
Face to face with Calyx, I see for the first time how sad her face is. She has that look as though smiling is not something she does often. Perhaps my face looks the same, perhaps even worse, I’m not sure. The last time I saw my face was two years ago. I saw it in a broken mirror after I had killed a man who stabbed me in the arm. He had crashed into that mirror and painted its fragments red. In retrospect, he should have gone for something more vital than my limb. I spent a week recovering from what could have cost me my left appendage, with the memory of those alien eyes looking at me. I spent that week wandering the wastes, the sky yellow and indifferent above me. All I truly remember is me shaking. 
In my wanderings, I forgot those eyes, remembered them only when the heat in me was at its most vicious and that gaze came to haunt me. I see those very eyes now, reflected in Calyx, and it feels like some old friend long dead had come back to haunt and taunt me.
I get up and walk outside. The night weights heavy on me and I realize I had not slept at all. The two follow me to the old man’s house.


***


The walls echo as our footfall passes.
“This place reeks,” Ty spits. We had looked around, but all the corridors of the four-story building and all the doors look the same. I open one. It has a look of familiarity. But what meets us on the other side is something quite different than what I had expected. A swirling vortex made of grey mist and electricity fades in and out of focus, as though not fully in phase with this dimension. It twists like a heart of time out of which all reality is emanating from. Tearing like fabric, the air about it seems to stretch and contract with each pulse of the thing.
“Merde,” Ty mumbles. “Right, I think we shouldn’t go in there.”
“Calyx?” I say as I see her moving towards it.
“Father?” she whispers, looking intently into the swirling maw.
“Cal?” says Ty.
“Calyx!” I yell, seeing her walk closer.
You might consider someone a rational, intelligent person, yet when that note of emotion is struck within such an individual, rational thinking is a thing forgotten. What remains is a babbling and incoherent idiot who once again reminds you people are stupid. We believe what we want to believe and the greatest lies we tell are those we tell to ourselves. And the most intelligent people craft for themselves the most ingenious lies. In times like these, I know that, truly, the greatest enemy of mankind is man. Calyx extends a hand towards whatever she sees and whatever image of her father the vortex has conjured up in her mind. I can see the need in her eyes.
“I’m here, father. How did you get here?” I jump to her, but her hand is already within. It swirls and twists, thin as hair. She too begins to bend and extend. I grab her and extend with her. Ty grabs me and extends with us both. There is no pain as we are sucked inside, only a sense of the universe coming to an end. I scream a silent shriek and realize pain would be a thing more welcome.
We find the man standing there, middle-aged. He tells us what we see, his words creating landscapes. He waits looking at a horizon in flames.
“I was young,” he began. “That day I was young for the last time. The sky was dark, but not the type of dark of the night, this was the kind of dark you could smell. The kind of dark that bites your lungs and fills your nostrils shut. Snow had fallen that day. It had fallen and kept falling for a thousand years. I knew that day we had killed it. Killed the one thing we should never have killed. We killed humanity. We killed the world. I walked alone that evening. The ash-covered streets were empty. To expect anything else would be pretty rediculous. My footprints faded behind me just like I knew the memories of a better world will fade along with me. But I was determined, you see. I had predicted this, saw it happen, felt it happening. But the stasis chamber I had built needed to be improved upon, and I had little time left. When the evening faded and night fell, the distant booming of destruction at my heels, I realized this was the end. I didn’t want to accept it. I fought it until I could fight no more. I built my own coffin and buried myself from the world.”
“How did you do this?” I ask as we begin to walk ahead. Visibility is high and I can see far into the distance. Almost as if someone fashioned my view so I could see it all. There’s an explosion out there, building a twisting red and yellow spire into the sky.
“Nomad?” Ty says, his voice uncertain, afraid. Ash falls from a layer above us the color of night, from clouds that are thick and thundering. A heat reaches us and I can smell it, like a thousand dead bodies. We stand in the light of it and all I see of the others is their black silhouettes surrounded by white. I look at Calyx, I gaze at Ty. They are silent, caught in a state like me, between marvel and utter terror. Our skin begins to burn. The pain is total, all-encamping. But it soon fades. What remains is light. And in that light, I am them, they are me, we are one. I see their black bones in the light but those too are wiped away like shapes in sand.

We come back to it beside the black box as the body – a shrivelled corpse – spills out from its confines. Fluid drips from the floating coffin, over the body and down on the floor. The corpse doesn’t move, its eyes are dead, although I imagine they had been dead for a long while. The smell makes my head spin.
“What the hell happened?” Ty asks.
“I must have asked the right question,” I answer.




READ THE WHOLE THING HERE ;)




[Review] Neuromancer by William Gibson



No. Just... no.



You have no idea how much I wanted to like this book...

Dreams and Consciousness





I often wonder how much of our dreamscape is ever paused over and considered by our waking minds.

It would seem that, should we reflect on but the tiniest of our subconscious workings splayed out for us in our dreams, we may reach some startling conclusions. Not just about ourselves, but of the nature of consciousness.

It is true the majority of our nightly drifting sits well into the category quite mundane and every-day, yet there remains a strata of awareness which defies logic as to the lengths and depths it can plunge, and is only expressed in dreams. That is to say, when our minds become immersed in the exploration of a region of reality wholly unknown to the state of waking reality.

On these occasions, it is not wholly unthinkable to permit the idea that we may catch glimpses of a plane outside reference and explanation, a part of reality that is uniquely separate from that of our waking life, yet so subtly entwined with it, that it may prove more real than we can countenance. Perhaps the intrinsic truth of what our minds can truly do is something so profound, that it is simply best for the mind to dismiss its own knowledge by a trick of memory.

In this case, it would seem forgetfulness serves us well.

But how often, then, do we dream of unremembered vistas and forget that they were just as real as they might have been should our feet had been touching ‘real’ soil?

It seems that locked within the core of us is a truth so rudimentary and obvious that we simply miss it. We look past it when it has so much to teach and show us. We look past it because it is much too simple, yet all-encompassing enough for it to be too vast for the conscious mind to contemplate. But perhaps it is because of the very reason that only in our dreams do we get glimpses of how reality truly works, that we cannot remember it. Because it is too strange. Too alien to our every-day senses, especially when we realize oral language is no longer the medium for the transmission of thought, but that thought is a system of creation

And perhaps  this unpermitted knowledge which ascribes the every-day reality and its ultimate function as fiction, illusion, Maya, – is so unlikable, or even unsuited to humans, that we cannot accept it unless in a subtly enlightened state of consciousness. Perhaps it’s because of this that we ourselves keep us in a state of ignorance, rather than seeing the whole terrible truth.


We are given nuggets, yet are shown nothing.


So each mind keeps on playing its own chords, striking its own tunes and viewing through its own sensual apparatus, perceiving through its own reality-tunnel, each morning forgetting there are things we can do and did which now seem unfathomable, simply because we forget the basic truth of our own intrinsic power.


An Apology


I would like to apologize for the many typos and atrocious grammar you find in my posts. That is all. Thank you.

Life Hacks

Smile broadly before answering the phone.

Enter a room assuming everyone already likes you.

Take note of people's eyes. Long stare. (huhu)

For answers that you were given which you think are partial, say nothing. Wait.

In nervous sutuations, chew gum.

Notice the direction of people's feet. When their chest is facing you, but their feet are not, you have not won them over.

Don't be intimidated by anyone; almost everyone is playing a role/wearing a mask.

And my personal favourite:

Immediately after the alarm wakes you, sit up, pump your fists in the air and shout, "YEAH!"

Elementary OS Minimalistic Theme



A friend of mine recently suggested I should be using Linux, since my Windows XP shell consisted of a minimalistic bbLean (Blackbox) setup. 

I've ran Ubuntu before, but then decided XP is good enough for my needs. Plus I can't do shit on Linux without hassle when it comes to *.exe. However I recently began to use Linux for writing, since it boots in seconds. Also, Linux is, unlike windows, cross-platform in that it is able to read the Windows partition as well, so files can be easily saved and accessed. This is more useful than you might think. That is to say Linux is great if all you want to do is write. 

A minimalistic approach was what I was after and I didn't much like Debian's interface, even though I knew it could be altered, so I chose Elementary OS (Luna), since it seems stable and quite lovely

In a nutshell, I found a Minimalistic Elementary OS Theme I really liked and wanted to use, but in the end managed to devote quite a bit of time setting it up. 

I want to save you the trouble I had to go through. I am that nice. Plus, what good is a nice looking theme if you can't shove it in people's faces.

The main issue with setup was that Things just did not work. And while Linux tends to be a system where you can do everything in the terminal, and while this is true, it can still be a royal pain in the actual ass for the inexperienced. Namely me.



First the easy steps:

2. Install Elementary Tweaks in Terminal (Ctrl+Alt+T) 

sudo apt-add-repository ppa:versable/elementary-update
sudo apt-get update
sudo apt-get install elementary-tweaks

3. Install Wingpanel Slim. The easiest way is to install it is by using Software Center in your Applications tab. Simply write Wingpanel Slim in search and click Install on the right. Or you can do it in Terminal.

sudo apt-get install wingpanel-slim elementary-tweaks

4. Go to System Settings, open the previously installed Tweaks tab, select Cerbere, and delete your normal wingpanel so it wont load on startup.














Now for the bitch part of this setup.

Here are some of the issues you might have:


1. Conky Not Loading.
    The author says one just needs to download his script and install Curl and set permissions in .conky.sh file. But firstly, there is no such file called conky.sh in his Conky pack, and secondly, Curl is not needed. You could create a conky.sh but loading every single thing like this is just not very time efficient. Instead do this:
          2. Open up Software Center in your Applications and find Conky Manager
          3. Extract the Conky Script into conky-manager/themes/ and within this extracted folder (rename it if you want so you may find it in the manager easier) create a new folder named config, then copy all the extracted files into that new folder.
          4. You should be able to find the three of the things you need. the clock, weather and system info (CPU, Memory, Bandwidth). Enable these three.
          5. If you're using 1600x900 you'll probably need to adjust the positioning of your elements. Do it in the settings by selecting the specific scripts you wish to move around until you are satisfied.



2. Moving the Icons Causing Elementary OS to Logout

Now you're set for the Conky part of the deal, next download Avant Window Navigator in Applications-Software Center. A dock will load to which you can drag your Applications from the tab down into the dock. A problem may present itself here in the form of a logout when you attempt to drag an icon. This is because of a graphics driver issue. To fix this, open Terminal and use this:

sudo apt-get remove --purge fglrx fglrx_* fglrx-amdcccle* fglrx-dev*


You will be using this dock from now on, so Plank is of no use to you. Uninstall it.
To Unistall Plank Open Terminal (Ctrl+Alt+T) and use: sudo apt-get remove plank 

Now changing the icons in AWN is as easy as selecting the app you want to change the icon of on your AWN, righclick on it and select the setting for changing the icon. Navigate to the folder you upacked the icons to and use the PNG versions.


That's it. Obviously you need internet access for the weather station to work...


I still want to test out if there's any difference in battery usage between the two systems so I might update this post very soon.


Good luck.

[Review] Zen Mind, Beginner's Mind by Shunryu Suzuki




Zen is not a philosophy or religion. It is not some esoteric teaching that will illuminate you with deep thoughts and koans that you must understand in order to attain some illusory goal. Zen is a way of liberation from a life run by your thoughts. Zen is Now.


Reviewing these types of books remains something I don't necessarily wish to do. How does one review a spiritual text or teaching? Either it resonates with you, or it does not.

Because of this, this will not be a review as such, but a means of propagating awareness of this book's existence and that of Zen.

It is true that one can gain bounds of theoretical knowledge from a number of books, but is that knowledge necessary? Unapplied knowledge will always remain useless knowledge, while this book will give you ways of actual practice that does not involve incisive thinking, but instead teach you how to come from a point of presence.

Most never find this resonating substance or text when it comes to spiritual "data" and so just plough from book to book, hoping the next will provide that which is needed for some spiritual "ascension". But this way of thinking is wrong, because that ascension is already here, it was always here, now. Because one does not realize this, and as a result does not know how to apply this to everyday life, these types of books may become almost a drug. That is to say, a drug user will always look to a drug in order to find something or to be liberated from something, yet a drug is always "out there", so the lie the drug tells you is that you need to find something out there to locate or "fix" something within. Yet the within cannot be "fixed" by applying something from the without. Yet this testament is also true and untrue. You may find this contradictory when I say that this book will show you, since this book is also without, outside you, yet it points within.

Zen is like this. Zen is contradictory, because the very nature of Duality is something that exists only in mind. Zen will never give you anything that you do not already have. It will simply show you how there really is nothing to fix. There is a sort of catch, however. There must be an everyday practice to attain this. Some may attain this presence spontaneously, but for most there is posture, breath, right-thinking and practice in presence and mindfulness. In Zen this is always done with direct pointing. It will never give you any philosophical thoughts, because that is the domain of the mind, You don't need such thoughts. The focus of Zen is always in the Now. Because the Now is all there is. Time is illusory. Even if you think of the future or the past, you are always doing it now. Even if you plan something for the future, you will execute that plan within that future Now. This is fact.

Yet the reason why Zen might not appeal to those more used to elaborate thinking, is because Zen attempts to make you look, to stand behind the one who is thinking and observe the thinker and realize that the thinker is a rather ridiculous, erratic creature... Funny, but ultimately ridiculous.



Two students ask the master, as they look upon a waving flag in the distance:
Student 1: Look, the wind is moving, it is beautiful.
Student 2: No, the wind is erratic, it is the flag that moves.
Master: Both the flag and the wind simply are. It is mind that moves.

[Review] The Quantum Thief by Hannu Rajanjemi



The more you think when reading this book, the worse off you'll be. The more you simply let go and realize things will come, leaving them as they are, the better this book will become. In this regard, it is an excellent exercise in letting go, as well as being a damn sexy read. Reading this book somehow feels very Zen.

It's a read that will either stamp you with "oh shit, let's see what happens next", or "meh, too much stuff". If you belong in the second category, then I don't know why the hell you are reading science fiction in the first place, but okay...

The best part about this book is how everything is in your face from the get go. The author is like, I won't bother explaining this to you, because why should I, just read the damn thing and figure it out yourself. Although everything is eventually explained, it is explained just enough. 

I wont bother with the plot because it is too awesome to explain even a bit and needs to be experienced instead. 

The prose is delicious.

The only problem I had were the dialogues, especially the main character's lines. They at times felt so cliché to me it became painful once or twice, I think I actually cringed once. He is like some overly witty dude that knows exactly what to say, as if he is in some movie and not an actual character. Luckily this didn't happen a lot, and most of the other dialogues were pretty great. Yet that feeling that the author wanted the main character to be this paragon on nonchalance always crept in, like he wanted desperately for the main char to be cool that it shows.

The social ramification of the technology in this book should not elude even the most inept reader.

9/10  

Adventures in Internetlessness

In light of recent events I find it necessary to point out that I have been without internet for quite some time. I think it's been like six months now...? 

Sure enough, I had access on my phone, but's that not quite the same as being able to browse with a mouse and keyboard. 

And OH DEAR LORD how I didn't miss it at all. 

I find it funny it has taken me this long to realize how strong of detriment it has been to my PRODUCTIVITY. And then at last I realized I am my own detriment to productivity. Ish...

I limit myself now, which is for the best, I think, there is nothing useful up here that can outweigh meditation. Sitting in meditation or reading, as opposed to spending an hour on the internet has become a no-brainier, 
I only wish more people would realize how over-saturated one can get with useless information up here in this data-web. 

"Then find information that will not be useless," I hear you say... and you are right, but senseless use and - oh dear god the facebook-hoppers - nooooooooo, it is the damnable abyss!

It feels slightly odd writing this and posting it on the internet though, hahaha. 

[Review] The Ocean at the End of the Lane Neil Gaiman



It is perhaps a wondrous thing that we cannot always understand why we like something. It's this 'not knowing', I think, that gives a certain added sense of wonder to most things.

It is like this with The Ocean at the End of the Lane. I really can't say why I liked it so much, nor why I could not stop reading it. The nearest I can come in describing how I felt while reading is that I became lost in it. Much like one can get lost in a woman's eyes, or in a sound or smell. The sensation this book cocoons you in is magical, which is apt, since the book itself and its happenings are nothing else but magical.

There are certain existential fears the tome pries upon, but more than that, it somehow grabs your inner child by the throat with meaty hands and kinda rapes him. But in a good way. 

The introspective and childlike nature of it is addicting. It kept on reminding me of the fact that one never really gets old, you're still all the ages you were since you were born, it is merely the layers that kept piling on and masking the fact that we are still that child. We are given the sense of maturity and "deeper understanding", while forgetting the value of innocence. Yet our primal fears remain the same. Neil knows this, we all know this, feel this, and that's why this book has an impact.

Death and what lurks in the infinite recesses between worlds seems a theme that runs rampart through the spaces where words are missing, but also the will to live and hope and the power of friendship.

10/10  

Interconnectivity

( visual stimulus...? )

There is a certain group of people you shall come across in your life towards whom you'll feel an immediate thread of possibility, connecting you. You'll almost never realize what has caught your "eye", because most of the time it's never a superficial thing. You'll rarely recognize what the feeling is, but you will always feel it. This event of interconnection may happen by chance encounters with strangers, associates of friends, relatives, etc.
Sometimes it's their visual appearance which sets the net of possibility in motion, sometimes it is their personality, sometimes you cannot  pinpoint what it is.
In most cases, your immediate, gut reaction upon seeing these fields of vibration may consist of you not wishing to have anything to do with the person in question. But like a slumping glacier, you'll be powerless to stop the motion of events, for the interwoven paths have already been set by the mere presence or sight of them, or by the mere idea of them.
You do not feel a possibility that might be, but a possibility that will be, one which has already been laid out. It is up to you to decide how the events within this constellation of chance will play out. But play out they will, in all the universes, in all times, over and over, through lifetimes and through infinite paths.

They will play out because they are the possibilities which you need to tread. Minds do not shape themselves, they are shaped by other minds. And the mind knows this, it searches for this. It craves this. It is elevated by this and brought high by this.
The only trick is to learn how to sense and recognize this feeling.

Myes.

After a year of rambling posts and nonsensical text, I thought maybe I should post something normal... ?

Beh, I will say this: if you come here to actually read something ... then you are pretty fucking weird. I like that.
Keep being pretty fucking weird next year too.

And don't forget about the


 

[Review] The Subterrene War by T.C. McCarthy




I didn’t have time to think, not even like, Wait a second, I’m about to wipe someone I don’t even know. Didn’t happen. Those thoughts came only later, in nightmares. Daymares.




It is no secret that I hate Mark Lawrence, so after he reviewed Germline on Goodreads, (no, I am not stalking him, Geezus, relax!) I thought to myself, “Oh, look here, another thing for me to hate.”

And so it began. Rather quickly, I might add, since The Bookdepositry offered the whole trilogy for a measly 15 euros. “Hell yes, give it here,” is what I said next, then waited. I waited and, for a while, lo and behold, nothing happened.

Then the postman delivered my drugs and I am quite certain I had that special (retarded) glee on my face; the same one that’s always there when I begin to open a package containing a tome as of yet unknown to me. What glee, what joy, eh?

Anyway, the first book is the one I absolutely devoured. The Gonzo style spoke to me. The excessive drug use and graphic violence caressed my gentle soul, and the prose was masturbate-worthy. Yeah, I said it. Masturbate worthy. It is as if someone had dug up the grave of Hunter S. Thompson and told him, “I know you’re pissed right now, but there’s this thing you have to do.” The reluctant Hunter does this, of course, and what we get is Fear and Loathing done in the fashion of Military Sci-Fi. Differences are there, of course... that is to say, T.C. McCarthy is pretty great on his own without me comparing his style to anyone else.

I read some reviews before I purchased these books, and what irks me a bit is that most of the bad ones either simply didn’t read the whole thing (imo you don't get to review a book like an asshole if you didn't read the whole thing), or felt there wasn’t enough backstory (there were other reasons too, but I chose to ignore those on the grounds that they were stupid). This is not a book like that, this is not a world-building romp of fantasy madness with 5+ POVs. This is a first person narrative, this is in your face. This is packed with thermal bombs and drones flying over your head with you not knowing if they’re yours or your enemy’s. And that’s why this is so good. Fuck a backstory when the story itself feels and reads like you’re there. Fuck a backstory when it is scattered across the pages instead. Better. What more do you really need to know? There’s a war and this is a “soldier” fighting in it – this is his narrative, that’s all you need. If you don’t like it, then we probably wouldn’t get along all that great.

Now having said that, there were instances when I felt things were a bit forced. Admittedly, I have not been in a war, never been in a trench, and never had to feel the fear of not knowing if the next plasma grenade will pop somewhere in the distance and give me ass cancer later, or melt my balls off, but some of the scenes felt slightly unbelievable to me. At first. Then they slowly began to make sense. All of the things the protagonist experiences, all the traumas, all the rampant drug use and the reasons for it, it all makes sense.

It helps that the scenes are written in such a way that no word or sentence ever feels like filter.

Scout runs into some likable characters you’ll never know much about, but will no doubt feel the story is better with them around.

The resolution in book one and all the subsequent books is satisfying, the prose stays the same throughout, I would say it even improves, although I have to admit that the different POV’s for each book made the trilogy slightly less enjoyable for me, not because the characters weren’t as good, it is simply that the other two didn’t do to my psyche what Scout’s story did. Perhaps it is because I know what to expect (somewhat), since T.C. still manages to throw some pretty sick curveballs. Although by the third book, you notice he too likes what I like to call, “The Martin way of doing things.” (although this is military sci-fi, so it’s not really a big deal) You like a character? Pow. Dead. Oh, you like that one too? I don’t know what happened to him, dead probably. Problem?



 

9/10



Everything Connects


Reality-thinking, autistic thinking, and that logically necessary empty category, the unconscious continuum, are all of a piece. You cannot have one without the other. Each implies the other; none are the other; none can be except by or in the other. The process of reality is an interaction between the three. They are not discontinuous. They merge slowly and imperceptibly into each other.

- A Crack in the Cosmic Egg

Concepts Move From The Mind



"In the civilizations I have created time is often unstable.
It can solidify and dissipate as ice and vapor.
It can be metered out in measurements
or experienced as unending fields flooding over consciousness.

Perception is the lens through which time collapses or expands. 

As I make the marks that define how the cycles of the stars are seen.
I look to the newborn, for in each breath a universe emerges.
And I remember that time is truly defined in the blink of an eye."


"In the civilizations I have created there are worlds within worlds and dimensions unseen. Mechanisms are made to perceive the interrelations among them. Networks interweaving and influencing in ways unexpected and often misunderstood. 

The perceptions left to senses are rich, abundant and heavy with weight. But the threads that form the fullness of reality’s fabric are mixed with microcosmic instances of emptiness. These gaps feed the understanding done between and beyond the senses and defy the gravity they inherently define."